Commercial Break updates via email:

  

MORE CULTURE


iPod hi-fi systems
All-in-one audio

Graphic design
Andy Gilmore

Light sculpture
Margaret O'Rorke

Film retrospective
Rollover

Photography spotlight
Lomography

Arts spotlight
Blek le Rat

Design &
architecture spotlight
Bauhaus 1919-1933

Film review
Sicko

Film review
Black Gold

Film review
Hot Fuzz

Film review
The Namesake

Film review
The Pursuit
Of Happyness


Film review
This Is England


MODERN ART
UNDER THE SPOTLIGHT


Takashi Murakami


It's a cliché to call Takashi Murakami "Japan's answer to Andy Warhol", but there are some inescapable similarities between the hip Japanese artist and the iconic US figure. Warhol took everyday objects and repackaged them as high art. So does Murakami. Warhol had The Factory; Murakami has the Hiropon Factory. Where they differ is that your average joe (or joan) can't, for love or money, afford a Warhol. You can, however, own a piece of Murakami. Key chains, T-shirts, and, most famously, Louis Vuitton bags, can all be bought with his distinctive designs. (You can even spot his work on Kanye West's album, Graduation.)



"Superflat" is the name given to Murakami's style. His output features paintings, sculptures, installations and films inspired by Japanese manga comics and anime cartoons. Among the exhibits at his current retrospective show is the famous (or is that infamous?) Hiropon (1997), a figure of a Japanese girl jumping a rope created by milk spurting from her huge breasts. Of course, not everyone is a fan. The Guardian critic Adrian Searle once described Murakami's art as "self-consciously cute and nasty". This year, you can judge for yourself by visiting the Pop Life exhibition at Tate Modern in London 



© 2008 Commercial Break




INFO


Pop Life exhibition

1 October, 2009 to 17 January, 2010 — Tate Modern, London

Website
Takashi Murakami





Takashi Murakami's
anime for Louis Vuitton